Wagner – Tannhaüser

So let’s restart this blog with a few notes on Wagner’s epic opera Tannhaüser, which I had the pleasure of working through last month with the Northern Wagner Orchestra.

This is a relatively straightforward play when compared with other Wagner operas; it’s also a comparatively short double bass part, weighing in at under 50 pages!

To begin at the beginning.

Act 1 Scene 1

Bars 105 & 106 – just an awkward little fake arpeggio, then a few bars later an awkward pizzicato passage.  Not helped by the page turn during that two bar rest…

Act 1 Scene 2

The scene begins with a little riff that’s unison strings, and needs accuracy.

Over the page, and at the end of the page we see the following excerpt. It doesn’t look too intimidating, but, for some reason, I found it just didn’t want to lie under the fingers nicely.

A few pages later, we come across the following little bit of fun:

And then, a few bars later:

Moving on, Act 2 Scene 3 is borderline silent – lots of counting, though! A friend of mine said that it looks like a trombone part…

Act 2 Scene 4

This is the big march number. And we get the tune (albeit doubling with other heavies…):

Over the page, we come across a deeply deeply unpleasant quaver figure.

I hate five sharps plus accidentals.

Nearly there

Unfortunately, I’ve lost track of which Act/Scene we’re in at this point – however, I suspect these last bits are all towards the tail end of Act 2.  I don’t recall there being anything in Act 3 to worry about.  I’ve tagged these with page numbers from the part I was using…

Next page:

And the final excerpt for your attention:

There’s still an act to go, but I don’t recall anything in that final act being particularly unpleasant… …except for the stamina required. But that’s a standard problem for Wagner!

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